Writing
Peer-Reviewed Articles
“Voice-leading, Register, and Contextualization in Three Major-Third Cycles by Mozart.” Indiana Theory Review, vol. 39, Spring 2024.
“The Blast Beat Devalued: Death Metal’s Vernacular Theory and Technological Change.” In revision after an invitation to resubmit at a peer-reviewed journal.
Other Articles and Chapters
“Imagining Future Extremes on the Record Player: Time Axis Manipulation as a Theory of Extreme Metal Creativity and History.” In: The Routledge Companion to Metal Composition: Structures, Expressions, and Productions, ed. Lori Burns and Ciro Scotto, Routledge, forthcoming 2024.
Ten dictionary entries (4000-9000 characters each). In: Lexikon des Orchesters, ed. Frank Heidlberger, Gesine Schröder and Christoph Wünsch.
“Was Niemals War: Das Selbstbewusstsein des Norwegischen Black Metal als Konstruktion einer Vergangenheit und Konstitution einer Klanglichkeit.” Analyzing Black Metal.Transdisziplinäre Annäherungen an ein Düsteres Phänomen der Musikgeschichte, ed. Sarah Chaker, Jakob Schermann, and Nikolaus Urbanek. Bielefeld: Transcript Verlag. 109–28.