Talks

Invited Talks

“Was niemals war: Die Genese des Black Metals analysieren.” Black Metal Studientag, mdw_festival “Kulturen des Nordens,” University of Music and Performing Arts Vienna (Apr 22, 2016).

Conference Papers

“The Algorithmic Rebalancing of Affect and Analysis in Cross-Genre Reaction Videos.” Music Theory and Genre, University of Texas Austin, accepted Feb 2025.

“Demonstrating the Eternal in the Sonata’s Act: Atemporal Logic and Teleological Process in Bruckner’s Sixth Symphony.” Liverpool-Georgia Music Theory Colloquia, Zoom, Dec 4, 2024.

“Forms Beyond Reason: Lebensphilosophie, the Study of Musical Form, and the Reception of Anton Bruckner's Music ca. 1900 to 1933.” Musicology’s Modernist Moment, University of Vienna, Nov 28, 2024.

“Hybrid Media Resurrection: Limiting Extreme Metal Circulation in the Streaming Age.” Metal and Change, University of Dayton/virtual, Oct 18, 2024.

“Genre und technische Reproduzierbarkeit: Bedingungen der Möglichkeit der systematischen Musikanalyse.“ Meeting of the German Society for Popular Music Studies, University of Freiburg, Oct 12, 2024.

“Monetized Misrecognitions: Cross-Genre Reaction Videos, & Deferred Expertise.” Reconsidering Music, Gender, and Technology, UCLA/virtual, Jan 19, 2024.

“Imagining New Extremes on the Record Player: Time-Axis Manipulation as Creativity in Early Extreme Metal.” iiiCon, Harvard University (May 13, 2023) & International Society for Metal Music Studies Conference, Concordia University (Jun 7, 2023).

“Digitally Re-Inscribed Brutality: A Media Archeology of Death Metal Drum Replacement.” Meeting of the American Musicological Society, online (Nov 20, 2021).

“Experiencing Mozart’s Double Syntax in Three Parts: Chromatic Sequence and Expectation in the Divertimento in E-flat major, K. 563, I.” Meeting of the Society for Music Theory, online (Nov 6, 2021).

“Silence, Simulation, and the Porous Surface of the Listening Self.” New Materialist Approaches to Sound, Columbia University (Oct 19, 2019).

“On the Perverse Pleasures of Norwegian Black Metal.” LACK iii, Clark University (May 5, 2019).

“Sonata and/or Rondo: What makes K. 499’s 4th movement a finale?” International Mozart Congress, Mozarteum Salzburg (Apr 10, 2014).